余光中是２０世纪中国诗文双璧的大作家，手握五色之笔：用象征高贵的紫色笔写诗；用金色笔写散文，“焕发了白话文的生命”，其风格号称“余体”；用黑色笔写评论，褒贬力求公正无私，有如黑面包公判案；用红色笔编辑文学作品，圈点修饰，一丝不苟，有时如同批阅学生作业；用具有信实之意色彩象征的蓝色笔治翻译，口诛笔伐“翻译体中文”的弊端，做清通优美中文的“守护天使”。五色之中，金紫最为辉煌。他上承中国文学传统，旁采西洋艺术，于新诗、散文的贡献，有如杜甫之确立律诗、韩潮苏海的集成与开拓。安徽教育出版社出版余氏作品选集五卷，一为诗集，二为散文集，三为文学评论集，四为语言及翻译论集，五为译品集，最能全面反映余氏的文学成就。五彩笔挥洒结晶为五卷书，这是余氏的五经，有五色的璀璨、五音的铿锵、五香的浓郁、五金的坚固、五车的渊博，是这位诗宗文豪迄今为止最佳的选集 Yu Guangzhong is a great writer of Chinese poetry and writing in the 20th century. His hand is colored with five colors: a noble purple pen to write poetry, a gold pen to write a prose, “glows in vernacular life.” Black pen write reviews, judgments seek impartiality, as the black bread trial; with red pen to edit literary works, punctuate modification, meticulous, sometimes like a review of student assignments; with a symbol of faithful meaning of the blue pen rule translation, vocal opposition “ Translator Chinese ”malpractice, do Qingtong beautiful Chinese“ guardian angel. ” Among the five colors, golden purple is the most brilliant. He inherited the tradition of Chinese literature, the appearance of Western art, in the new poetry, prose contributions, such as Du Fu’s established law, Han Chao Suhai integration and development. Anhui Education Publishing House publishes Yu’s works five volumes, one is poetry, the second is essay, the third is literature review, the fourth is language and translation theory, the fifth is a collection of translations, the most comprehensive reflection of Yu’s literary achievements . Multicolored pen to sprinkle crystal for the five volumes of books, which is the Yu’s five, five bright, five-tone sonorous, spiced rich, strong hardware, five cars profound, is the poet Zong Wenhao best anthology so far