九十年代初期,当高晓松的一曲《同桌的你》唱响了“校园民谣”的特有旋律之后,校园歌曲的波澜始终在荡漾不息中延续着自己的艺术生命。然而,当时光进入二十世纪末期,那充溢在《同桌的你》中纯真的校园友情似乎早已消失了,随之而来的却是无奈中反爱情理念的融入。这其中最具代表性的莫过于校园创作型歌手卢庚戍了。知道卢庚戍是从一期“百事中文排行榜”中的“听众点播”开始的。这个在清华校园里曾与高晓松一起写歌唱歌的建筑系的学生,在走出校园从事建筑设计六年之后,再次成为扛着吉它写歌的人,并登上了2000年校园民谣“最佳新人”的宝座。让我难忘的是他感伤而略带沙哑的声音,极简单的木吉它配器及过耳难忘的旋律是那样抓人,在他那句反复吟唱的“我也不是罗密欧,你也不是朱丽叶”中,我记住了那哀感顽艳的调子。后来当我找到这首叫做《恋爱十日谈》的歌曲时,失望与思索远远盖过了惊喜。我发现,在那自说自叙的恋爱谈唱后面,包涵着的正是悲哀苍白的反爱情理念,是苦于无 In the early 1990’s, when Gao Xiaosong’s “You at the Table” sang the unique melody of “campus ballads”, the waves of campus songs always continued their artistic life in the waves. However, when the light entered the late twentieth century, the innocent campus friendship that filled the “you at the same table” seems to have disappeared. What followed was the helpless integration of anti-love ideas. The most representative of these is the campus creative singer Lu Gengshu. Know Lu Gengshu is from a “Pepsi Chinese rankings ” in the “on-demand ” began. After graduating from the campus and working on architecture design for six years, the student of Architecture Department who teaches singing and singing with Gao Xiaosong on Tsinghua University once again became a man carrying a guitar song and boarded the 2000 campus ballad “Best New ” The throne. Let me unforgettable is his sentimental and slightly hoarse voice, a very simple guitar accessories and unforgettable melody is so arresting people, repeated singing in his sentence “I am not Romeo, you are not Juliet ”I remember that gruff tone. Later, when I found this song called “Love Ten Day Tan” song, disappointment and thinking far beyond the surprise. I found that behind the self-proclaimed love talk, it is the sad, pale, anti-love concept that is boring