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近些年来中国的艺术人类学在“非物质文化遗产”的语境下处于醒目的位置。通过理清西方艺术人类学理论这块“他山之石”的概念以及发展脉络,可见其能够琢磨中国音乐研究这块璞玉。艺术人类学理论能够协助中国音乐研究打破其自身的壁垒,走出以建立中国传统音乐理论和对中国传统音乐遗产进行收集整理为旨趣的“前学科”阶段,进入“音乐”与“文化”接通,以对象和问题意识为导向的“跨学科”研究时期。中国音乐研究也正需如此。
In recent years, China’s art anthropology has become a prominent place in the context of the “Intangible Cultural Heritage.” By clarifying the concept and development vein of western art anthropology theory, “the stone of other mountains”, we can see that it can ponder the uncut jade of Chinese music study. The theory of art anthropology can help Chinese music research to break its own barriers and get out of the stage of “pre-discipline” that aims to establish the traditional Chinese music theory and the collection and arrangement of Chinese traditional musical heritage. “Culture” connected, subject and problem awareness oriented “interdisciplinary” research period. Chinese music research is also needed.