在新时期文学中,原始倾向的存在已经是一个毋庸置疑的事实。尽管人们习惯于用“文化寻根”的概念来表述它,但显而易见的是,“寻根”已经不仅仅寻向传统文化,而是深潜到比传统更久远更古朴的原始生存方式和心态。寻根文学作品大多具有如下特征:选择原始蛮荒的自然景观和闭塞滞后的人丈环境,表现渔猎、放牧、村社等自然经济状态下的生活,潜心于发掘古老的神话传说、祭祀仪式和民风民俗,热衷于少数民族、初民和“化外之民”形象的塑造。总之,在中心文化与偏远文化、儒家正统文化与非正统的民间文化、汉民族的大传统与少数民族的小传统之间,寻根文学偏重后耆。它不仅以原始态生活为题材,而且 In the new period literature, the existence of the primitive tendency is already an unquestionable fact. Although people are accustomed to expressing it by the concept of “cultural roots-seeking,” it is quite obvious that “root-seeking” has not only sought traditional culture, but has diveped deeper into a more primitive and primitive way of life and mentality longer and longer than tradition. Root-seeking literary works are mostly characterized by the selection of primitive wild landscapes and lagging environmental conditions, the natural and economic life of fishing, grazing and village communities, and the devotion to discovering ancient myths and legends, sacrificial rites and folk customs , Keen on shaping the image of ethnic minorities, early people and “people outside of the country.” In a word, root-seeking literature pays special attention to Houqi between the central culture and the remote culture, the Confucian Orthodox culture and the unorthodox folk culture, the Han national tradition and the minority tradition. It is not only the theme of the original state of life, but also