在现代王士禛的接受与研究史上,钱锺书先生无疑是一位重量级学者。其《谈艺录》、《管锥编》、《中国诗与中国画》等著作对王士禛的创作、诗学、历史地位等均有翔实而周密的考辨。其中既有略显苛刻的指责,也有圆融而允当的赞美。钱先生对王士禛诗学感悟之深湛、体味之透彻均有他人难以企及处。尽管个别观点可能存在偏差,但总体而言,二人的诗学标准和批评理念多有相似相通之处,在一定意义上堪称异代知音。 In the history of the acceptance and study of modern Wang Shizhu, Qian Zhongshu undoubtedly is a heavyweight scholar. His works such as “Talking about Art Record”, “Pipe Cone” and “Chinese Poetry and Chinese Painting” have a detailed and thorough examination of Wang Shizhen’s creation, poetics and historical status. There is both a slightly harsh accusation and a compliment of harmony. Mr. Qian’s poetic insights into Wang Shizhen’s depth of insight, appreciate the thoroughness of others are difficult to match office. Although individual opinions may be biased, in general, the two have similarities and similarities in their poetic standards and criticisms, and in a certain sense, they are synonymous.