一九八一年暮春,我从《文汇月刊》上看到赤壁籍军队诗人叶文福的诗《快生啊,大海》。诗以产妇临产为喻,焦灼地呼唤一个全新时代的诞生,一如他的惯常风格,我很喜欢。接着,又从《十月》上,读到他的诗三首:《路灯》、《我是飞蛾》、《天鹅之死》,诗之尖锐,即使今天也不多见。从这时开始,赋闲的诗人时常返乡,回到蒲圻县文工团——后来是工 In late spring of 1981, I read the poem Yeh-Fu Yeh from Chih Wen-chih, the poet of the Red Cliff biographies, “Happy Birthday, Sea of ​​the Sea”. Poetry to maternal labor as the metaphor, anxiously call for the birth of a new era, as his usual style, I really like. Then, three more of his poems were read from October: “The Street Light,” “I am a Moth,” “The Death of a Swan,” and poetic, even today rare. From this moment onward, idle poets often return home and return to Pu Li County Art Work Troupe -