蒋士铨《铜弦词》的内容,较多为纪游抒怀、题赠迎送、记事咏物之作。艺术上也有自己的个性。他的词完全摆脱了词为艳科的束缚,不作花前月下、歌儿舞女之吟;不为绮旎婉丽、偎红倚翠之语。出于慷慨激昂的个性,他的词意境浑厚,用语豪健,虽然内容多为应酬交往之作,而所抒发多为社会冷暖、人生际遇、身世沉浮、官场污浊之感情。他具有诗人、戏曲家的双重身份。他擅作传奇,曲之于词,更细腻,更深于情,更能打动人心。他写诗的才能与写曲的技巧常常融合在一起,使他的词也在豪健之中,频添出委婉细腻之风。他的亲情词便具有这种特点。清代词论家中,徐珂、陈廷焯、谢章挺、胡薇元、李宝嘉、丁绍仪等人都对蒋词作过评价。其褒贬不一,本文就三种意见而辨之。 Chiang Ching-chuen, “Bronze Ci-Ci,” the content, more for the libido, questions welcome to send, memorial thing chant things. Art also has its own personality. His words completely out of the shackles of the word for Yan Branch, not for the pre-moon moonlight, singer and dancer song; not beautiful, neat red lean Cui language. Out of the impassioned personality, his word connotation vigorous, strong terms, although the content is mostly for social interaction, and the expression of mostly social well-being, life experiences, life experiences ups and downs, the official filthy feelings. He has the dual identities of poets and opera artists. He is good at legend, song in the word, more delicate, deeper love, more touching. His ability to write poems and write skills often mix together, so that his words are also haughty, frequently Tim euphemism delicate style. His affectionate words have this characteristic. Among the Ci writers in Qing Dynasty, Xu Ke, Chen Tingzhuo, Xie Zhangtian, Hu Weiyuan, Li Baojia, Ding Shao-yi and others all evaluated Jiang Ci. Its mixed, this article on the three views and discrimination.