本文试图对《扶桑》历史的文化过程进行解读。作者对历史痕迹的填补以及展示历史空白角落采用镜头捕捉与镜头思维的方式,并通过“扶桑”作为东方女性的文本来完成。《扶桑》作为早期华人经历的文本,文本套文本的内外二重框架,分析扶桑的“读者”——克里斯和“我”在接受过程中介入,以及“我”通过穿梭于古今对当代的思考与参议,所表现出的新历史主义特征。 This article attempts to interpret the cultural process of “Fuso” history. The author complements the traces of history and shows the way in which the historical corners of the world are captured and photographed in the lens, and through “Fuso” as the text of oriental women. “Fuso” as the text of the early Chinese experience, the text sets the text inside and outside the dual framework of the analysis of the “Fuso ” readers “Chris and ” I “involved in the process of acceptance, and ” I "by Shuttle to ancient and modern thinking and the Senate, showing the characteristics of the new historicism.