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本期我们继续为大家介绍中国美术馆的典藏活化系列展《江山多娇》,上期我们主要带大家鉴赏的是展览中的部分国画作品,这期我们介绍的是油画、水彩、版画部分,选取其中比较有代表性的作品为大家进行解读。如吴为山馆长所言,新中国建立后二三十年,里苏联社会主义现实主义创作理念的影响与油画民族化的探索并行不悖,不仅使现代都市景观和现代工业文明的建设等题材成为画家笔下的图像,也使中国传统艺术语言得到深度挖掘并与西画材料有机融
In this issue, we will continue to introduce the “Jiangshan Duijiao” series of collections of the National Art Museum of China. In the last issue, we mainly took part in appreciating some of the traditional Chinese paintings in the exhibition. In this issue, we introduce the paintings, watercolor and prints, One of the more representative works for everyone to interpret. As the director Wu Weishan said, after the founding of New China two or three decades, the influence of the socialist realism in the Soviet Union and Soviet Union’s exploration of nationalization of oil painting go hand in hand, which not only makes the modern urban landscape and the construction of modern industrial civilization become the subject of painter’s writing Images, but also to make Chinese traditional art language to dig deep and organic integration with Western painting materials