现代水墨画一开始就是在西方现代艺术观念激发下的产物,强凋观念,并以观念统帅或支配水墨画的“实验”与创作。呈现出来的作品,除了一部分粗陋、简单、浮躁以外,更多地趋向理性,以“玄之又玄”的东方哲学为精神支柱,企望改变死气沉沉的传统模式并与西方现代绘画抗衡。个别好的作品或冲击力强的毕竟很少,多数希望建立新规范的作品,至今还不怎么成形。况且急于建立新规范是否必要与可能也值得考虑。 The beginning of modern ink painting is the product inspired by western modern art concept, strong withered concept, and the concept of commanding or dominated ink painting “experiment” and creation. In addition to some crude, simple and impetuous, the works presented tend to be more rational, with oriental philosophy of “profound and profound” as the spiritual pillar, hope to change the traditional mode of lifelessness and contend with western modern painting. Very few individual works or strong impact after all, very few, most want to create a new standard works, has not yet formed. In addition, it is necessary and may also be worth considering in the rush to establish a new standard.