老年大学国画课上,常见教师为学员改画。他们理论结合实际,既点拨又示范,让学员如梦初醒,受益匪浅。然而,也有教师信笔涂改,不从画理画论上引导和点拨,而是一味按照自己的主观意愿添笔加墨。笔者以为,这种越俎代庖的改画方式收效甚微、弊端诸多。众所周知,国画作品描绘的物象,是作者的胸中之物,是其对自然景物观察、体验后概括和提炼出来的艺术形象。不仅体现了作 Elderly college Chinese painting class, the common teacher remodeling for the students. Their theory combined with reality, both on-site and demonstration, so that students awakened, benefit greatly. However, there are also some teachers who insist on correcting the mistakes without directing and pointing from the theory of painting and painting. Instead, they try to add ink to their subjective wishes. In my opinion, this kind of reformist approach with more achievements has little effect and has many drawbacks. It is known to all that the objects and objects depicted in traditional Chinese paintings are the objects of the author’s chest and are the artistic images that are summarized and refined after they are observed and experienced by natural objects. Not only reflected in the work