改革开放给中国盆景艺术的发展,开创了新局面。使中国盆景艺术的发展、汇集到世界文化艺术发展的大潮流之中。对此,我国盆景界一些人士自然会对某些问题产生不同看法,这并不奇怪,认识的改变需要有一个过程。盆景艺术发展至今,已普及于全世界,成为世界性艺术。从这一点出发,我认为中外盆景作品在创作上有它共同的规律;在盆景美的鉴赏和品评方面也有它大同小异的准则。这也就是说中外盆景从本质上说是一回事。我想这一观点大多数的同行是会赞同的。目前国内一些人的不同看法,首先表现在对中外盆景的名称叫法上。认为中国的是盆景,外国的是盆栽。进而认为,中国的盆景是讲诗情画意,是高等艺术;外国的盆栽是讲自然树相,言下之意,是低层次的。产生这一想法的原因是;一、没有看到中外盆景在本质上的同一性,于是乎出现了概念上的混淆。二、不了解之所以产生不同叫法的历史原因——有一个时间差的问题。产生这种想法的根源是唯我独尊思想在作怪。这是唯心的。它 Reform and opening up to China’s bonsai art development, creating a new situation. Make the development of Chinese bonsai art converge into the tide of the development of world culture and art. In this regard, some people in China’s bonsai will naturally have some different views on some issues, it is not surprising that changes in understanding need to have a process. Bonsai art has so far spread throughout the world, a worldwide art. From this point of departure, I think that Chinese and foreign bonsai works have their common law in creation, and they also have similar or similar principles in the appreciation and evaluation of bonsai beauty. This means that bonsai between China and foreign countries is essentially the same thing. I think most of my colleagues in this view will agree. At present, some people in different parts of the country, first manifested in the names of Chinese and foreign bonsai on the law. Think China is a bonsai, foreign pots. And then that the Chinese bonsai is poetic, is higher art; foreign pot is to speak of natural trees, the meaning of the word, is low-level. The reason for this idea is: First, did not see the bizarre nature of the Chinese and foreign identities, so there was a concept of confusion. Second, do not understand the reason why the history of different reasons - a time difference. The root cause of this kind of thinking is that I am at fault in thinking. This is the ideal it