首先,笔者尝试概述自主性艺术(autonomous art)的概念与艺术作品的复杂性之间的联系。然后,反思这个18世纪的概念向20世纪美学和文学理论变迁的过程。最后,简短地反思当前审美自主性矛盾而不确定的状态。一请允许我从卡尔·菲利普·莫里茨(Karl Philipp Moritz)开始,讨论复杂性在 First, I try to outline the link between the concept of autonomous art and the complexity of the artwork. Then, reflect on the process from the eighteenth century concept to the 20th century aesthetic and literary theory. Finally, we briefly reflect on the current state of uncertainty of autonomy and autonomy. Please allow me to start with Karl Philipp Moritz to discuss the complexities at