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虽然陶渊明撰成《桃花源记》后,文人羽士对“桃花源”进行过不同的描述和阐释,且将其附会到武陵地区,但是迄至唐中叶,桃花源仍仅是传说中的意象,并无确指之地。唐宋之际,在道士、当地官员的推动下,桃花源在武陵县渐被塑造成了一个具体的洞天,人们开始有意识的从事桃花源的实体景观构建,此种努力至桃源建县时达到一个高峰。不同时代形塑“桃花源”的主体与背景的差异留下了不同的景观,作为实体的非连续性和作为文化资源的接续性统一于其塑造过程。
Although Tao Yuanming wrote “Peach Blossom Spring”, literati Yu Shi conducted different descriptions and interpretations of “Peach Blossom Spring ”, and attached it to Wuling area, but as of the middle of Tang Dynasty, Peach Blossom Spring is still only the legendary image, There is no definite place. At the time of the Tang and Song dynasties, under the impetus of priests and local officials, Peach Blossom Spring was gradually shaped into a concrete cave in Wuling County. People began to consciously engage in the physical landscape construction of Peach Blossoms. Such efforts reached a peak when Taoyuan County was built . Differences between the subject and the background of the different shapes and forms of Peach Blossoms left different landscapes as the unbroken entity and continuity as the cultural resources in their shaping process.