第三章工笔人物画研究三、色彩的感情作用中国的画家们经过千百年实践,深深懂得色彩在表达人的感情方面所起的作用。为了加强表现作品的主题思想,有的适合重彩,有的适合淡彩,有的适合白描,有的则适合以某种单色为之。试想周的《簪花仕女图》,如果不用重彩绘制,而改用白描或淡彩,就不能取得现在这样的艺术魅力。相反,陈洪绶的《屈子行吟图》,如果用重彩去描绘,也同样不能表现屈原那愤世嫉俗、孤高自傲的精神气质。所以,色 Chapter III Study of Meticulous Figure Painting III. The Emotional Function of Color Chinese painters, after thousands of years of practice, deeply understand the role of color in expressing their feelings. In order to strengthen the performance of the theme of the work, some suitable for the recollection, some suitable for light color, and some suitable for white sketches, while others are suitable for a certain color. Imagine Zhou’s “lady flower girl figure,” if you do not have to draw heavily, and use a white sketch or light color, you can not get the current artistic charm. On the contrary, Chen Hongshou’s Qu Xi Xing Yin Diao, if painted with heavy colors, also can not show Qu Yuan that cynical, lofty pride spirit. So, color