我从一个艺术家创作的角度去看这个问题。我觉得“当代艺术的水墨语言方式”表面上看这个问题很直接,其实这是一个触及多层次的复合问题,他需要你层层剥开后才能逐渐清楚他们的关系,因为当代水墨的说法本身就有好几个层面的关系。再加上语言方式这个词汇就更丰富了,也就更复杂了。我们经常读到“当代水墨”这个概念,而我认为这个说法是有问题的,这不仅仅是因为今天被批评和市场用烂了。我以为“水墨”作为媒介不存在传统与当代之分,水墨就是水墨。所以,我认同从当代艺术的层面看水墨。我会称之为“当代艺术中的水墨语言方式”。于是, I look at the issue from an artist’s point of view. I think “This is a straightforward way of looking at the language of ink painting in contemporary art.” In fact, this is a multi-level complex problem. He needs you to peel apart to understand each other gradually because contemporary ink painting The argument itself has several levels of relationship. Coupled with the linguistic vocabulary is even more enriched, it is more complicated. We often read the notion of “contemporary ink”, and I think it is problematic not only because of criticism and the bad use of the market today. I think “ink ” as a medium does not exist between the traditional and contemporary, ink is ink. Therefore, I agree that ink painting is viewed from the contemporary art level. I would call it “Ink and Wash Language in Contemporary Art.” then,