也许是由于创作的材料一样来自自然界,喜欢盆景的我对树根(注1)造型艺术也产生了较浓的品赏兴趣。不过也就兴趣而已——就是喜欢它们之间相似的东西,比如共同拥有那种天生的奇异斑纹和人工无从参与的自然韵味(原始材料甚至来自同一途径)。作品看多了,对根艺日渐增多的那种人的创作冲动留下的过多雕凿痕迹便产生了看法——就根艺本身而言,太多的人工显然有失守疆土之嫌。正因为有这样的怀疑,在更多的了解之后,我在 Perhaps because of the same originating material as in nature, I like the bonsai and have a strong interest in the art of tree roots. But it is also interesting - just like the similarities between them, such as co-ownership of the kind of natural strange markings and artificially participate in the natural flavor (the original material even from the same way). Much more work has been done, and too many sculptural traces left by the creative impulse of the growing genre of root art have emerged - as far as Genyi itself is concerned, too many artificially apprehended territory. Because of this suspicion, I am after more understanding