从某种意义上说,首届北京双年展不仅没有形成完善的品质,而且在主题上都似是而非,以至热闹竟然成了它最大的“主题”。这样大型的国际展览,并没有告诉人们全球语境中美术的现状是什么。展览是“国际性”的,但诉诸不同主体的“国际”都会不同程度地带有主观性,其中最可怕的是两种倾向:盲目 In a sense, the first Beijing Biennale not only failed to form a perfect quality, but also seemed paradoxical in its theme, and even the liveliness became its biggest “theme.” Such a large international exhibition, did not tell people what the status quo of art in the global context. The exhibition is “international”, but “international” resorting to different subjects will be subjective to varying degrees, of which two are the most frightening ones: the blind