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麦当劳叔叔的形象特别,它实际上是个小丑,具有强烈的视觉效果。去年11月份我在广州环市东路做一件即兴的录影作品时,就用到了这个形象。它用摄影机的镜头语言表达出来,产生了意想不到视觉强度。我用张开五指的手盖在它脸上,用超特写镜头缓慢摇动,它的眼睛下方的两条黑点,在我的指间,像两颗泪滴,还有这个形象跟餐厅内部食客的关系。趣味性就这样产生了。最重要的是,麦当劳在中国街头,已经成为一个撼人的文化大符号,在我看来,任何一个对现实有所关注的中国艺术家,不可能对它无动于衷。所以,在水边吧的“吧剧”运动中,我们也必然避不开麦当劳这个材料。1999年12月31深夜演到次日凌晨的《忍受》这部最具
Uncle McDonald’s special image, it is actually a clown, with a strong visual effects. I used this image when I did an improvisational video work in Huanshi East Road, Guangzhou in November last year. It is expressed in the camera’s camera language and produces unexpected visual strength. I covered my face with a five-finger open hand, slowly shaken with super-close-ups, two black spots under her eyes, like two teardrops in my finger, and the image of the interior with the diner Relationship. So interesting. Most importantly, McDonald’s has become a symbol of culture in the streets of China. From my point of view, it is impossible for any Chinese artist concerned with reality to remain indifferent to it. Therefore, we should also inevitably avoid the McDonald’s material in the “Bar Drama” movement at the water’s edge. December 31, 1999 midnight play to midnight the “bear” this is the most