布尔加科夫的早期小说《魔障》包含着丰富独特的怪诞因素 ,本文从怪诞的形态特征入手 ,分析了《魔障》中的外在怪诞和意识怪诞两种形态 ,其外在怪诞体现在小说情节如电影画面般快速的变化之中 ,而意识怪诞表现在主人公由正常状态到被折磨致疯致死的过程里。布尔加科夫在 2 0年代采用已不合时宜的怪诞这种假定性形式 ,反映了他的个性和思想情感 ,说明了他对官僚主义和社会丑恶现象的批判性认识。 Bulgakov’s early novel “magic barrier” contains a rich and unique element of grotesque. Starting from the grotesque morphological characteristics, this article analyzes the external grotesque and the weirdness of consciousness in the “magic barrier”. Its external grotesque lies in the novel Episodes such as the rapid changes in the movie screen, and the grotesque in the performance of the protagonist from the normal state to being tortured mad to death in the process. Bulgakov’s use of an anachronistic form of weirdness in the 1920s reflects his personality and his emotions and illustrates his critical awareness of bureaucratic and social evils.