当我们关注中国音乐在国际上的传播时,努力弘扬固然是一个方面,但我们是否清楚,当中国音乐在19世纪欧洲万国博览会的舞台上亮相时,欧洲音乐文化正在经历着什么?在那些看上去褒贬不一、互相矛盾的高论背后,有着怎样的具体语境?不认清这一点,也就很难对外国人笔下的中国音乐进行公允的评价,遑论进一步考 While we are concerned about the international spread of Chinese music, it is one aspect of hard work to promote it. But are we aware of what the European music culture is experiencing when Chinese music debuts on the stage of the 19th Century European Exposition? What are the specific contexts behind the mixed, mixed and contradictory theories? Without a clear understanding of this point, it is very difficult to evaluate the fairness of Chinese music written by foreigners, let alone further examinations