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春天来了,百花复苏。人们走进贵州国画院展厅,面对我省十五位国画家的一百五十幅新作,顿觉心胸豁达,耳目一新。在兴奋之余,使人联想的东西很多,谁会想到过去长期被指责为公子哥们玩赏的仕女、花鸟、山水画,九死之后又能复生呢,过去这几个画种,深受不白之冤。僵硬的政治教条说它不能为政治服务,进而又说它是资产阶级的玩艺。自粉碎“四人帮”以来,经过实践证明,恰恰相反。一九七九年我省著名国画家宋吟可同志所画的花鸟,参加了在
Spring is coming, flowers are reviving. When people walked into the exhibition hall of Guizhou Chinese Painting Academy, facing the one hundred and fifty new works by fifteen painters in our province, they felt fresh-minded and refreshing. In addition to the excitement, there are many things that make people think. Who would have thought of the ladies, birds and flowers, and landscape paintings that have long been accused of playing for their son and brother? . Stiff political dogma says it can not serve politics, and then it is bourgeois stuff. Since the smashing of the “Gang of Four,” it has been proved that the opposite is true. In 1979, flowers and birds of the famous painter Song Yinke of our province were drawn up