本文对禅宗名偈“身是菩提树”进行符号学分析,所依之理论主要来自于“巴黎学派”的领军人物格雷马斯和高概。分析发现:1.凡两“相”在文中相聚,便生新义,新义应颠覆作为思维定式的旧义;2.形象相聚导致多义,除与上下文相抵触者,每一义皆是构成整体含义的一个侧翼晶片,皆能揭示出某种意味;3.本偈中充满了爱欲,离大成之境尚有距离。 This paper conducts a semiotic analysis of Zen Buddhism, “Body of the Undead,” which is mainly based on the theory of “Le Parisis” and leader of the “Paris School”. The analysis shows that: 1.When the two are together in the text, they will create new meaning and new meaning should overturn the old righteousness as the thinking style. 2. Image convergence leads to polysemy, except for the context, each meaning is One of the wings of the overall meaning of the chip, can reveal some kind of meaning; 3, Ben Wan is full of love, away from the Dacheng border.