张志民诗学经历了民族一国家史学意义上的范式转换与价值生成的过程,始终在“主导文化”~①的召唤下“自我归类”~②,并表明了鲜明的“社会认同”~③美学姿态。本文以“革命文学”题阈概论其早期作品的时代性,凸显其自我身份和写作动机。以“审美意识形态”的概念分析及与“审美现代性”的美学表现比较定位其后期写作的心理因素。 Zhang Zhimin’s poetics has undergone the paradigm shift and the process of value generation in the historiographical significance of the nation-nation. It has always been under the summoning of “dominant culture ” to “self-categorization ” ~ ②, Social identity “~ ③ aesthetic attitude. This article, based on the theme of ”Revolutionary Literature,“ expounds the epoch of his early works and highlights his self-identity and motivation for writing. The psychology of later writing was compared with the conceptual analysis of ”aesthetic ideology“ and comparison with the aesthetic performance of ”aesthetic modernity".