抗战胜利后，国民党政府继续实行全国统一的强制　性电影检查制度，其内容、体制和操作方式与战前基本相同，但也有若干变化。在战后一度　出现的政治缓和空气下，国民党对于电影检查的坚持仍不稍或减，可见国民党政权对电影这　样一种有着广泛影响力的大众艺术形式之特别关注与对待。战后国民党政府电影检查当局，　加强了对现实题材电影的检查，表现出对电影反映社会生活真实面的压制，这或为国民党政　权面对其统治危机时的本能反应。由于国民党政权在大陆统治的终结，作为国民党统治制度　一个组成部分的电影检查制度亦随之而告消亡。 After the victory of the Anti-Japanese War, the Kuomintang government continued to implement a unified system of compulsory censorship across the country. Its content, system and mode of operation were basically the same as those before the war, but there were also some changes. Under the tempest of political relaxation that once appeared after the war, the Kuomintang’s insistence on censorship of movies remained somewhat diminished. This shows that the Kuomintang regime has given special attention and treatment to the popular art form with a wide influence such as the film. After the war, the Kuomintang government’s film inspection authorities stepped up the examination of the film on the reality theme and showed that the film has suppressed the real face of social life, either as an instinctive reaction to the Kuomintang regime’s face of its ruling crisis. As a result of the end of the Kuomintang regime’s rule on the mainland, a censorship system as an integral part of the Kuomintang rule also died down.