丑书作为当代书坛现象之一,肇端于上世纪八十年代末,经过近半个世纪酝酿发酵而蔚为风气,这几年终于爆发了声势浩大的丑书之争。如何公允地评价丑书、进而如何公允地看待丑书现象是当代书法不能绕过的理论问题。从百度上检索丑书,可以见到两种针锋相对的倾向,丑书和丑书现象以反对者居于多数,其所持的理由是丑书背离文化传统,丑书虽以求新求变为宗旨而不免沦于尚奇追怪,且更有人进一步上升到书法腐败 As one of the phenomena in contemporary book market, ugly book started in the late eighties of the last century. After nearly half a century brewing and fermenting, it became a trend. In recent years, there was a huge dispute over ugly books. How to appraise the ugly book fairly and how to treat the ugly book fairly is the theoretical issue that the contemporary calligraphy can not be bypassed. Retrieve ugly book from Baidu, you can see two diametrically opposed tendencies, ugly book and ugly book phenomenon to object to the majority of the opponents, their reasons for holding ugly books away from cultural traditions, although the ugly books seek to change for the purpose of innovation Can not help but be trapped in the odd strange, and some even further rise to calligraphy corruption