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2015年是中国人民抗日战争胜利70周年,同时也是世界反法西斯战争胜利70周年。从1931年“九一八”事变到1945年日本投降,大批的中国摄影家以相机为武器,投身到抗战的最前线,用镜头记录下14年全民抗战的史诗性场景。民国时期的中国摄影,刚刚开始在现代主义的脉动和中国传统画意的乡愁间启蒙,迅即转入抗战宣讲和爱国抒情的洪流中,这巨大的转向让宣讲和抒情成为上世纪80年代之前中国摄影中并存的底色。
2015 is the 70th anniversary of the victory of the Chinese People’s War of Resistance Against Japanese Aggression and the 70th anniversary of the victory of the world anti-fascist war. From the 1931 “September 18 Incident” to the Japanese surrender in 1945, a large number of Chinese photographers devoted themselves to the forefront of the anti-Japanese war with their cameras and recorded the epic scenes of the 14-year civil war with their cameras. Chinese photography in the period of the Republic of China just started to be pulsed by modernism and the nostalgic enlightenment of Chinese traditional painting. It immediately shifted into the flood of the propaganda of war and patriotic lyricism. This great turning point made preaching and lyricism become Chinese photography before the 1980s In the coexistence of the background.