记者(以下简称记):可否请编剧先谈谈这出戏的创作初衷?王保卫(《儒生外传》编剧,以下简称王):这出戏是古装戏。闽西汉剧太久没排古装戏了,写这个戏就是要重拾传统。这个戏是为剧团而写,为演员而写。我在进行剧本创作的时候立足于演员,将剧作与想象中演员的形象、动作、表演效果结合起来进行构思。我跟柯嘉导演探讨过,他也支持这样做。这几年来我们的戏剧创作不考虑市场,经常是只在会演期间演上一两场,完了就束之高阁,这是很大的资源浪 Reporter (hereinafter referred to as mind): Can I screenwriter first talk about the original intention of this play? Wang Baowei (“Scholars” screenwriter, hereinafter referred to as the king): This play is costume drama. Fujian Western drama too long no dramas costume drama, write this drama is to regain the tradition. This play is written for the theater and for the actor. When I was writing the script, I was based on the actor and combined the play with the imagination of the actor’s image, action and performance. I discussed with director Ke Jia, he also supported doing so. In recent years, our drama creation does not consider the market, and often only plays one or two games during the performance. When it is finished, it is put on the shelf. This is a great resource