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本文考察泛媒介互动路径与文学的转变。认为中国文学的泛媒介互动路径主要有四条一是纸媒借影视复魅或还魂,二是与影视同步到纸媒,三是从互联网到纸媒,四是从移动网络到纸媒。尽管文学传播主要依靠影视、互联网和移动网络的扩张,但纸媒仍是当前文学的泛媒介互动的主渠道。随着泛媒介互动路径的拓展,中国文学正在发生转变文本表意系统被悄然改写,构成读者阅读文学文本的“前理解”场;媒介特点往往影响文学文本的传播方式和表意系统本身;导致文学的主媒值与副媒值区别出现,主媒值是传输文学文本的主导媒介所实现的价值,副媒值是传输文学文本的次要媒介所实现的价值;当前我们无法不面对文学空间的伸张与缩减的悖论。
This article examines the change of the path of pan-media interaction and literature. It is believed that there are four main routes to the interaction of pan-media in Chinese literature. One is media reversion or rejuvenation by film and television, the other is the synchronization with film and television, the third is from Internet to paper media, and the fourth is from mobile network to paper media. Although literary communication mainly relies on the expansion of film, internet and mobile networks, paper media is still the main channel of pan-media interaction in current literature. With the expansion of the path of pan-mediated interaction, Chinese literature is changing. The system of phonetic transcription is quietly rewritten to form the “pre-understanding” field for readers to read literary texts. The media characteristics often affect the mode of transmission of literary texts and the ideographic system itself; The difference between the main media value and the secondary media value occurs. The main media value is the value realized by the leading media for transmitting literary texts. The secondary media value is the value realized by the secondary media for transmitting literary texts. At present, we can not face the literary space Paradox of extension and reduction.