钟惺、谭元春编选的《诗归》体现竟陵派诗学审美主张,在明清之际遭受到主流诗学批评家的激烈的抨击,主要集矢于四个方面:立论偏狭、亡国之音、错谬百出与评点主观偏颇。而同时,非主流诗学批评家对《诗归》颇多回护之辞。明末清初士人对《诗归》的评议,是一种值得引起关注的诗学现象,体现了明清之际诗学的转型。 The poems by Zhong Xing and Tan Yuanchun embody the aesthetic proposition of Jingling School in poetics. In the Ming and Qing dynasties, they were subjected to fierce criticism from mainstream poetics critics. The main points are in four aspects: Tone, error and subjective evaluation of bias. At the same time, critics of non-mainstream poetry on the “poetry” a lot of back to protect the speech. Scholars’ comments on “Return of Poetry” in the late Ming and early Qing dynasties are a poetic phenomenon that deserves our attention, which reflects the transformation of poetics in the Ming and Qing Dynasties.