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予自幼学书,至今六十余年矣。初习楷,临柳、欧。稍长,随时风学篆隶北碑,略存形模。及读米襄阳《海岳名言》,谓『石刻不可学』,『颜柳挑踢乃丑怪恶札之祖』,始知前学徒费岁月。又读董思翁《书品》,其皆论晋以来笔法流变,深入三昧。往日疑滞,一时顿释。因悟清人得之金石,失之写意;得之篆隶,失之行草;得之拙重,失之风流。若以用笔论,凡包安吴、康南海皆碑眼看
Since childhood education book, so far more than 60 years. Kaikai initial study, Linliu, Europe. Slightly longer, at any time Fengxue seal north monument, a slight deposit form. And read Mi Xiangyang “famous Haiyan”, that “can not be learned from the stone,” “Yan Liu pick is the ancestors of the weird evil,” before I know the former apprentice fee years. Read Dong Seng Weng “books”, which are all on the rhetoric since the Jin Dynasty, in-depth Samadhi. Doubtless past, temporary release moment. Because of the clear-cut golden stone, the loss of freehand writing; get Zhuanli, lost the grass; too heavy, lost romantic. If you use pen theory, where Baoan Wu, Kang Nanhai are monument to see