明清时期,福建各地民俗活动频繁,城乡演剧之兴盛,已成为民众文化生活之大事。故福建地方文献中就有了戏曲活动的记载,戏曲碑刻即其重要组成部分,内容涉及戏班、戏神、演剧、罚戏、习俗等,折射出民间演剧之缩影。碑刻是我国古代的重要记事方式,福建各地宫庙林立,庙多立碑石记述其历史、祀神或重建修缮事宜,随着戏曲的形成与发展,碑刻与戏曲结下了不解之缘。戏曲碑刻是记录戏曲信息的载体,属于戏曲文物型文献,其碑文少则十几字,多则数百字,甚至达千余言。福建传世的戏曲碑刻多见于明清,包括庙碑、护林碑、墓碑等,其中 During the Ming and Qing Dynasties, the frequent folk activities in all parts of Fujian Province and the prosperous urban and rural drama have become major events in the cultural life of the general public. Therefore, Fujian local literature has recorded the opera activities. The opera inscription is an important part of it. It involves the troupe, the drama god, the drama, the penalty play and the custom, which reflects the epitome of folk drama. Inscriptions are an important way of remembering ancient times in our country. Temples and temples throughout Fujian Province are famous for their history, sacrificial services or rebuilding. With the formation and development of traditional opera, inscriptions and operas have formed a bond of indissoluble bond. Drama inscriptions are the carrier of the records of opera information, which belongs to the cultural relics of the opera. Its inscriptions vary from a dozen words to as many as several hundred words and even up to a thousand words. Fujian handed down the opera inscriptions more common in the Ming and Qing Dynasties, including the temple monument, forest monument, tombstone, etc.