自20世纪80年代后期开始“重写文学史”讨论以来,对文学史进行“重写”或“重读”的活动已蔚然成风,并至今产生着深远的影响。“重写”、“重读”的结果,不仅能使我们更清醒地认识文学史的本质特征,而且使我们有可能更“客观”地厘清文学史研究的基本诉求、参照对象、核心内涵,回到历史现场及文学本身,进一步拓展文学史写作的深度和广度。在这样的前提下,魏建教授主编的《现代中国文学读本》(齐鲁书社2003年版,以下简称《读本》)就显得格 Since the late 1980s, “the history of literary rewriting” has been discussed, the activity of “rewriting” or “rereading” literary history has become a reality and has far-reaching implications. The results of “rewriting ” and “rereading ” not only make us understand the essential characteristics of literary history more clearly, but also make it possible for us to clarify the basic demands of the study of literary history more objectively Object, core connotation, back to the historical scene and literature itself, to further expand the depth and breadth of literary history writing. Under this premise, the Reading of Modern Chinese Literature (Qilu Publishing House, 2003 edition, hereinafter referred to as “Reader”), edited by Professor Wei Jian, appears to be divisive