迷幻摇滚的图腾级鼻祖吉姆·莫里森曾在生前说过:“我对那些关于反抗、无秩序、混沌的事情感兴趣,特别是纯粹的这样的事,对我来说它们看上去就像是通往自由的道路,而不仅仅是在精神上的,我从外在出发、穿越躯体从而到达了精神的终点。”这段类似于内心独自的自由宣言,在我眼中似乎更应该用来形容迈克尔·比斯利,与诸多不受世俗禁锢的天才一样,比斯利同样秉承着各种藐视权威、放浪不羁、只受肾上腺素支配的青春期情愫,他就如同大卫·林奇执导的《我心狂野》中的尼古拉斯·凯奇那般不修边幅地存在着:在他人眼中紊乱不堪、浑身是刺,内心深处却早已埋下了饱含希冀理想、渴望自由及殷切执着的萌芽符号。 Jim Morrison, the psychedelic totem-level progenitor, said in his lifetime: “I am interested in those things about resistance, disorder, chaos, especially purely for me, they seem to me It’s like a path to freedom, not just mere spirituality, and I’m going from outside to across the body to reach the end of my spirit. ”This statement of freedom similar to the heart alone seems to me to be even more It should be used to describe Michael Beasley. Like many geniuses who are not secluded by the world, Beasley also upholds adolescent feelings of contempt of authority, adrenaline, adrenaline, and he is like David Lin Nicholas Cage, who was directed by Qi in “My Heart and Wildness,” was so careless that in his eyes, there was a chaos and a thorn in his eyes. But in his heart, he had long buried the ideal of hope, desire for freedom and earnest dedication Sprout symbol.