欣赏一幅画与品读一本书是同样的旅程,最妙处都在于看得七分明白、三分迷惑,就像无人能解的蒙娜丽莎的微笑,每一次相遇都有新发现,每一次离开都让人意犹未尽。16世纪30年代,应法国国王弗朗索瓦一世的邀请,一些意大利和法国艺术家聚集在枫丹白露宫,对其进行装饰整修。16世纪下半叶,亨利四世再次整修枫丹白露宫,邀请了另一批画家前来工作。这个过程形成了两代枫丹白露画派。枫丹白露画派上承16世纪的矫饰主义,下启17世纪的巴洛克艺术,开启了法兰西 Appreciating a picture is the same journey as reading a book, and the beauty of all is to see clearly in thirds, to betray in thirds, like the unforgettable Mona Lisa’s smile, new discoveries in every encounter Every time you leave, it’s all about. In the 1630s, at the invitation of the French king Francois I, some Italian and French artists gathered at Fontainebleau to decorate them. In the second half of the 16th century, Henry IV renovated Fontainebleau once again and invited another group of painters to work. This process formed two generations of Fontainebleau school. Fontainebleau painting on the 16th century mannerism, opened the baroque art of the 17th century, opened in France