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明末,意大利天主教耶稣会传教士利玛窦最早使用了“中国画”这一称谓。到二十世纪上半叶“中国画”这一名称被我国学者大量采用,至此中国传统绘画有了“中国画”这一新的称谓。近年来随着经济大发展也带来了中国画的大繁荣。短短的几十年内,中国画在许多方面取得了突破,也许是由于发展得过快,太过激进,缺少了静下来好好地思考,导至了当下中国画作品看似繁荣实则凋敝的境况。在此个人觉得有必要对中国画作品的构成要素作一疏理。
At the end of the Ming Dynasty, Matteo Ricci, the Jesuit missionary of the Italian Jesuits, first used the term “Chinese painting”. By the first half of the twentieth century, “Chinese painting” was widely adopted by scholars in our country. As such, Chinese traditional painting has the new title “Chinese Painting”. In recent years, along with the great economic development, the prosperity of Chinese painting has also been brought. In just a few short decades, Chinese painting has made breakthroughs in many aspects. It may be due to the rapid development and radicalization, the lack of calmness and good thinking, and the fact that contemporary Chinese painting appears prosperous but in fact decadent. It is in this personal opinion that it is necessary to make a clear analysis of the elements of Chinese painting.