陈洪绶,字章侯,号老莲,我国明末时期杰出的画家,不仅善诗文,而且山水、花鸟、人物画都很有成就,尤其是人物画成就最高,与当时的崔子忠并称为“南陈北崔”。陈洪绶人物画以笔法古拙挺秀、造型奇特而著称,其人物画不拘于形似,注重对线条的运用,追求内在的意蕴。陈洪绶人物画既注重对人物形体的夸张,又注重含蓄神情的表达,追求怪诞奇特的 Chen Hongshou, Zhang Hou, number lotus, an outstanding painter in the late Ming and Qing Dynasties, not only good poetry and writing, but also landscapes, flowers and birds, figure painting are very successful, especially in the highest achievements of portraits, and then Cui Zizhong and called “South Chen North Cui ”. Chen Hongshou’s portrait painting is characterized by his clumsiness and clumsiness, but his portrait painting is unconstrained in shape, paying attention to the use of lines and the inner implication. Chen Hongshou’s portraits not only pay attention to the exaggeration of human figures, but also pay attention to the expression of implicit expression, the pursuit of weird strange