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《四个四重奏》是T.S.艾略特创作后期的代表作,尝试通过信仰的重建为人类社会建立一个永恒的理想模式。《四个四重奏》从主题和结构等方面与不同时期的东西方宗教著作形成互文关系。本文借用狭义互文性理论的研究方法,解读《四个四重奏》与基督教《圣经》及与印度教《薄伽梵歌》之间的互文关系,以透析来自东西方不同时空的两种宗教观在《四个四重奏》中“难以置信的结合”以及这种结合的根源和意义。
The “Four Quartets” is a masterpiece of late Eliot’s creation, attempting to establish an eternal ideal model of human society through the reconstruction of faith. The “Four Quartets” form an intertextual relationship with religious writings of East and West in different periods in terms of theme and structure. Based on the research method of narrow intertextuality theory, this article interprets the intertextual relationship between the “Four Quartets” and the Christian Bible and the “Bhagavad-gita” Hinduism in order to analyze the differences between the two religions in different time and space from the East and the West, Four Quartets, “” The Unbelievable Combination, "and the roots and meanings of this combination.