《南画十六观》,北京大学出版社版,平装178.00元,精装298.00元在世界美术史的经典图景当中,“文人画”这个概念似乎很难寻找它的位置:它不是由画材、题材、风格或是任何一种清晰明白的类别所限定的。然而,这种在中国存在了一千年的艺术类型,却在它生长的每一个朝代,接受着那时最负才气的画者的朝圣和赋彩。文人画,它生发的魅力 In the classic picture of world art history, the concept of “scholarly painting” seems difficult to find its place: it is not composed of painting materials, Subject matter, style, or any one of a clearly understood category. However, this type of art, which existed in China for a thousand years, was absorbed in the pilgrimage and identification of the most brilliant artist of the time in every dynasty it grew. Literati painting, its germinal charm