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崇尚简约凝练是我国文学的优良传统。古代文人一向致力于“用最经济的文字来表达最丰富的内容”。这也是诗意首要的一个美学特征。“文约而事丰”(刘知几.史通.叙事)追求“意不露浅,语不穷尽.句中有余味,篇中有余境”的境界(沈祥龙.论词随笔)。诗的这种极少主义审美倾向似乎是这种文学体裁与生俱来的特性,同时也是其生命力之所在。从乐府诗经到律诗绝句,皆是惜字如金,
Advocating simplicity and conciseness is a fine tradition of Chinese literature. Ancient scholars have always been committed to “the most economical text to express the richest content.” This is also the poetic primary aesthetic feature. “The text about things and abundance ” (Liu Zhi few .Stone .Notice) Pursuit "meaning is not superficial, language is not exhaustive. ). This minimalist aesthetic tendency of poetry seems to be an innate character of this literary genre, and it is also where its vitality lies. From the Yuefu poem to the verse of quatrains, all cherish words such as gold,