在中国美学史上,虽然是从魏晋时期才开始把自然作为独立的审美对象来加以表现的,但在此之前,《诗经》中通过比兴手法来表现自然景物已经相当普遍了,如《卫风·淇奥》以竹来比拟君子品格;《秦风·小戎》以玉来比拟道德人格;《齐风·载驱》用水来比拟人的内在情感,等等。《诗经》中这种普遍使用的比兴手法,对孔子的审美思维方式产生了直接的影响。此后,孔子继承了 In the history of Chinese aesthetics, although it was only from the Wei and Jin Dynasties that nature began to be manifested as an independent aesthetic object, prior to this, it was already quite common for the “Book of Songs” Wind Qi Austrian “to the gentleman compared to bamboo character;” Qin Feng Xiao Jung “to jade to compare moral personality;” Qi Feng · drive "water to compare with the people’s inner feelings, and so on. The commonly used Beixing technique in The Book of Songs exerted a direct influence on Confucius’s aesthetic thinking. Since then, Confucius inherited