去年10月,“意大利弦乐器制作展”在北京举办,来自全国各地的提琴制作者和演奏者把展览看做是学习克雷莫纳提琴制作传统的一次极好而难得的机会。提起“克雷莫纳”,人们自然会想到17、18世纪的意大利,想到提琴制作。这是因为,我们现在所熟视的、具有非凡音乐表现力的小提琴,正是在那里形成和发展的。17、18世纪,克雷莫纳曾产生象A·斯特拉地瓦利、N·阿玛蒂及瓜奈利·“戴尔·哲苏”等前无古人的伟大的提琴制作巨匠。他 Last October, the “Italian String Instruments Exhibition” was held in Beijing and violin makers and performers from across the country viewed the exhibition as an excellent and rare opportunity to learn the tradition of Cremona making. Lift “Cremona”, people will naturally think of the 17th and 18th century Italy, think of violin production. This is because the violin, which we are familiar with and have extraordinary musical expression, was formed and developed there. In the 17th and 18th centuries, Cremona produced great virtuoso violins such as A. Stradivari, N Amadi and Guarnelle “Dale Chezoo”. he