20世纪三四十年代,上海的文化市场出现了一种新兴的都市中产文类,其中的代表人物张爱玲的作品及其身世在以后的华人社会随都市现代化发展的文化市场一再被挖掘,成为反复上演的张爱玲传奇。1980年代中国文学再度开始了商品化的进程,张爱玲重新浮出水面。1990年代春风文艺出版社的“布老虎”文丛在文化市场率先进行了开发中产阶级读者市场的中产文类尝试。21世纪初经由网络“小资”拥戴而成名的安妮宝贝是中国最为成功的中产文类作家,她的小说提供了城市女性读者对于上层中产阶级生活的想象与向往,在文类位阶上则借鉴了许多纯文学的形式,使得她的小说披上了一层富于精神品位的雅文学的外衣。这正是典型的在高层文化与流行文学之间调和的中额文类的性质。这一中额文类的出现,证明在高层文化和大众文化之间,一个适应都市中产消费者、追求精致品位、意识形态倾向停留于安全地带的文化品类在更加现代化、都市化的中国开始扎下根来。 In the 1930s and 1940s, a new urban middle class genre emerged in Shanghai’s cultural market. The works of his representative Zhang Eiling and his life experience were repeatedly excavated in the cultural market where the development of Chinese society with the modernization of the city was repeated. Staged Zhang Ailing legend. Chinese literature once again started the process of commercialization in the 1980s, and Zhang Ailing resurfaced. The “cloth tiger” Wen Cong of Chunfeng Literature and Art Publishing House in the 1990s took the lead in the cultural market to try out middle class genres for developing the middle class readership market. In the early 2000s, Anne Baby, who became known as the “Petty Bourgeoisie”, became the most successful middle class writer in China. Her novels provide the urban female readers with the imagination and longing for upper middle class life. On the genre level Draws on a number of forms of pure literature, making her novels covered with a layer of rich literary gentry coat. This is exactly the nature of the middle category that is typically reconciled between high-level culture and popular literature. The emergence of this category has shown that between the top culture and the mass culture, a cultural category that adapts to urban middle-class consumers, exquisite sophistication, and ideological tendencies to remain in a safe place begins to work in a more modern and urbanized China Under the root.