探索建筑和绘画共通的接续传统的诗意体验。最理想的创作过程是:一个想法,写一遍,画一遍,再盖一遍;智性、情感、体验浇铸成铁板一块,如此便是淋漓尽致。一段时间里,翻阅一些相关园林的书,很有些迷失其中。经典的书,如童高、刘敦桢、陈从周先生的著作,深厚的文化含蕴和美学见地让人赞叹,读来收获最大。叠石匠人的书因实践而鲜活,学者的书重于脉络、考据与阐释发挥,各具视角,但在这些书里,能不能遇见珍宝,还要碰运气。有时候会觉得不满足:园林的美被裁剪为一块块,填在理论框架里;游园的会心处,也分解成一条条,散落在抽象的要点里。或者,更完 Explore the poetic experience that follows the tradition of architecture and painting. The best creative process is: an idea, write it again, draw it again, and then cover it again; intelligence, emotion, experience cast into a piece of iron, so is most vividly. For a period of time, read some books related to the garden, it is a bit lost. Classic books, such as Tonggao, Liu Dunzhen, Chen Congzhou’s writings, profound cultural implication and aesthetic insight to people praise, read the hardest. The books of the stoning craftsmen live fresh through practice. The scholars’ books focus on the context, test and explanation, and have their own perspectives. But in these books, can you meet the treasures and get lucky? Sometimes feel unsatisfied: the beauty of the garden is cut into pieces, filled in the theoretical framework; the meeting place of the garden is also broken down into strips, scattered in abstract points. Or, more complete