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形成于20世纪中国的“现代文学”概念,不仅是对一段文学史的命名,而且是对一套特定的文学价值观的概括性表述。近年来中国文学研究和文学活动领域发生的一系列变化,不但改变了这段文学史的原有框架,而且也从某种程度上形成对这种价值观的冲击和超越。这里所做的,首先是对一种已然发生的文学史事态的描述,但其最终目标,却不独从较深层次上揭示中国文学的当下状况,而更在通过这种揭示对它的未来发展做出尽可能前瞻的理解。
The concept of “modern literature”, formed in the 20th century in China, is not only a naming of a literary history but also a general expression of a specific set of literary values. In recent years, a series of changes in the field of Chinese literary studies and literary activities have not only changed the original framework of this literary history, but also to some extent formed the impact and surpassing on such values. The first thing to do here is to describe a situation that has taken place in literary history, but its ultimate goal is not only to reveal the current situation of Chinese literature at a deeper level but also to further its development through such a revelation Make the best possible forward-looking understanding.