有研究者指出,中国现代的生命诗学的“源头可以直溯郭沫若对尼采的‘艺术生理学’、宗白华对柏格森的创造进化论、田汉对厨川白村的苦闷象征说的接受”[1],实际上这是从创作机制上认定中国现代的生命诗学是基于主体生命的外向扩张或底层喷薄的。关于生命诗学这个披着现代外衣的范畴,事实上在中国古典时代就已经存在了。在中国传统文化中,“人”和 Some researchers pointed out that the source of modern Chinese poetics of life can be traced back to Guo Moruo’s ’artistic physiology’ of Nietzsche, Zong Baihua’s theory of the creation and evolution of Bergson, and Tian Han’s acceptance of the symbol of depression in Kagawa Shirakawa In fact, this is from the creative mechanism that China’s modern life poetics is based on the outward expansion of the main life or the underlying gushing. The category of life poetics, dressed in modern garments, actually existed in the classical Chinese era. In Chinese traditional culture, “people ” and