论文部分内容阅读
任何艺术表现形式都不是孤立和价值中立的。作为一种社会行为,形式具有意识形态性,在作者的主观诉求和社会的客观现实之间发挥着辩证的调和作用。美国当代女作家弗兰西斯卡·莉亚·布洛克的《玫瑰与野兽》是对9个经典童话的后现代改写,探讨了当代美国洛杉矶背景下的性别关系、家庭关系以及伦理等问题。在叙事艺术上,超现实主义、后现代戏仿、元叙事等美学手段的使用,既呼应了后现代消费社会的内在矛盾性,也传递了作者渴望抛弃童话幻想,拥抱希望,构建多元、异质的性别和家庭关系的乌托邦诉求。
No art form is isolated and value-neutral. As a kind of social behavior, the form is ideological, playing a dialectical mediating role between the author’s subjective appeals and the objective reality of society. The Rose and the Beast of American contemporary writer Francesca Lea Blok is a postmodern rewriting of nine classic fairy tales, and explores the issues of gender relations, family relations and ethics in contemporary Los Angeles. In narrative art, the use of aesthetic means such as surrealism, postmodern parody, and meta-narrative not only echoes the inherent contradictions of the post-modern consumer society, but also conveys the author’s desire to abandon the fairy tale fantasies, embrace hope and build pluralism and heterogeneity Utopian aspirations for gender and family relations.