前不久,武汉话剧院一台小品专场晚会进京在中央党校演出,演员们精彩的表演得到了与会首长和观众的充分肯定,赞赏有加。这台小品创作演出的成功,不仅为武汉小品基地在全国争取到了重要一席,更为“汉派小品”的形成与发展迈出了坚实的一步。也许现在谈论“汉派小品”还为时尚早,因为“汉派”的界定还需时日,如果硬性冠以此类提法,中青年演员余信杰是抹杀不去的,因为“汉派小品”中的经典之作,诸多都打上了余信杰的烙印,当然,这与其说是余信杰的成功,倒不如说是“汉派小品”的成熟。余信杰是武汉地区最早涉及小品表演艺术的演员之一。也许当初人们并不熟悉他的名姓,但只要提及“背竹床”的那个演员则几乎无人不晓。这个“背竹床”的角色就是余信杰在小品“空地”中为武汉观众塑造 Not long ago, a special sketch party of Wuhan Theater went to Beijing to perform at the Central Party School. The excellent performance of the actors was fully acknowledged by the chiefs and audience. The success of the creation of this sketch has not only won an important place for the base of Wuhan sketch, but also taken a solid step toward the formation and development of “Chinese sketch”. It may be too early to talk about “Han Pieces” because the definition of “Han Pie” will take some time. If such rigid formulation is used, Yu Xinjie, a young and middle-aged actor, will not be denied because Of course, this is not so much the success of Yu Xinjie, but rather the “maturity of Chinese style”. Yu Xinjie is one of the first actors involved in the art of performing arts in Wuhan. Maybe people were not familiar with his name at first, but the actor who referred to the “bamboo bed” was almost unknown. This “Bamboo Bed ” role is Yu Xin-kit in the skit “open space ” for the Wuhan audience shaping