音乐,也许从根本上讲是有声的寂静。在素净的宣纸上,落墨是声音表面的装饰,固然能够悦耳;可是不著痕迹的空白,才是无声处愉悦心灵,拂去胸臆,静落在心,微微似竹外数声清风,烟波生出一弯清月。首次见张铨,便在他的车里听着帕格尼尼的天籁琴声,如画如斯,于此音中滋生性情。后来便常坐其车,听过巴赫、莫扎特、维瓦尔第、瓦格纳、柴可夫斯基、肖邦、李斯特、舒曼等等各样唱片。我以为他不在音乐中寻找逻辑,而是凭着直觉,踩着节奏去抓住绘画写真的重音。按着歌德的说法,音乐是完全的形式,要把表达之物 Music may sound fundamentally silent. In the pure rice paper, ink is the surface decoration of the sound, of course, can be sweet; but no trace of the blank, is the silent voice of pleasure, brushing the mind, still in the heart, Clear the moon. For the first time to see Zhang Quan, then in his car listening to Paganini’s sounds of nature, picturesque, in this sound breeding temperament. Then often take the car, heard Bach, Mozart, Vivaldi, Wagner, Tchaikovsky, Chopin, Liszt, Schumann and so on a variety of records. I thought he was not looking for logic in the music, but by intuition, stepping on the pace to seize the painter’s picture stress. According to Goethe, music is a complete form of expression