本文用中国传统的诗学理论即意境论对托马斯·纳什的英语诗歌《甜春》进行了解读,认为英语诗歌也有意境,既有文学意境,也有音乐意境。本文同时认为,中国诗学术语对于西方文学也有某种阐释作用,具有某种诗学公共性,可见中国诗学理论也具有某种世界性,学术界应该抛弃西方中心论,应该纠正一味崇西带来的学术失语症。 This article uses the Chinese traditional theory of poetics, that is, the theory of mood to interpret Thomas Nash ’s English poetry “Sweet Spring”, and holds that English poetry also has artistic conception, both literary conception and musical conception. At the same time, this article also holds that Chinese poetic terms have certain interpretations of western literature as well as some publicity of poetics. It can be seen that Chinese poetic theory also has a certain kind of cosmopolitanity. Academics should abandon the western centrism and should correct the blindly The academic aphasia brought.